I'll try to do this chronologically. While my Mom was in town she wanted to hit up as many thrift stores and yard sales as we could so she could hunt for treasures to sell in her vintage Etsy store. This worked out well for me when we hit the jackpot at an Echo Park yard sale in the VHS department. Stacks of b-movies spanning from the 60's-80's! After Mom's departure I partook in some much overdue Hookersploitation with the 1984 film Angel.
A little later that week I watched the Stanley Kramer classic, the Defiant Ones, starring Sidney Poitier and Tony Curtis as members of a chain gang. The paddy wagon they're being transported on wrecks creating a perfect oportunity to make a run for it. Completely at odds and bound by chains, they're constantly at eachother's throats. This is the late 50's (and a Poitier movie no less) so you can be sure there's lots of racial tension. In fact, "tension" is probably an understatement. Despite social taboos, they're both criminals and have to work together if they have any chance at freedom.
aw, kinda sweet :-)
I finally got around to seeing the 2004 Belgian horror movie Calvaire. Meh. all it really accomplished was reminding me why I don't usually make time for modern horror. Very slow to start, keeping your interest only by making you wonder where the hell they're going with this. The end result was a no frills torture porn that tries to immitate the most harrowing aspects of films like Texas Chainsaw Massacre and Deliverance, with of course none of the artistry or ingenuity.
It's dismal, ugly and not in the least bit scary. The borderline illusive narrative that lingers in this film dissipates after it's realized that everyone is just fuckin' insane. Lots of rapey-ness too. Ohhh, how they rape. Butt raping, pig raping, suggestive cow and dog raping. The gratuitous sex crimes wore on me, especially the manner in which it's presented. Calling the male victim a bitch, beating him bloody, shaving his head, crucifying him, et-fucking-cetera. It's all about humility and shock. I've seen these kinds of images before in film and it got me thinking about rape as a plot device in horror movies. When I was younger I had more of a unphasable curiosity about such visions of suffering. I could definitely attest to my skin being much thicker in my late teens. Now when see these visuals I feel a combination of boredom and revulsion. I need more than just grotesque imagery to appease my horror fandom. I do enjoy storytelling, character development and a little bit of finesse. This isn't about budget, lord knows I've fallen in love with many 'a zero budget movie. This is about content. Calvaire is completely insubstantial and is a good representation of what I don't like about most modern horror. To my personal taste suspense is what controls the terror I might feel watching a horror movie. This trendy international lackluster snuff fad is hopefully a passing one. Perhaps it satisfies other cinepheliacs blood lust but as for me I'll stick to my regularly scheduled programming of films forgotten by time.
After Calvaire I needed something drastically uplifting to wash the taste of dried blood and asshole out of my mouth, so I went with the most redorkulous movie in reaching distance, Supervan! It's a title I've come across many times in my b-movie wanderings but when I saw the cover at Amoeba a few weeks ago it hit me in a different way. I took time to study the creation itself. It's beautiful physique. It may just be the most amazing vehicle I've ever seen. I decided I was in love with it and that I had to leave my husband and cats and marry it. Yes, that's the power of Supervan. So I purchased it on the spot and as fate would have it a few days later a shitty torture porn movie would put me in a bad mood and my soul mate, Supervan, would be waiting on the shelf to comfort me in my time of need.
The story follows a guy who's going to enter his souped up van in a contest called "the Van Freakout of 1976", which is basically a love-in with cool vans and a brief cameo by Charles Bukowski as a wet t-shirt contest judge. While saving a young woman from being raped by bikers, his van gets trashed in a junkyard. Thankfully he has a scientist/inventor friend who's created the Supervan! It "takes on all comers...laser blasting...solar powered...WATCH OUT!". The plot's a little runny, I found myself not really interested in the characters. It's obviously rip-off of Smokey and the Bandit only with vans and no Jerry Reed (which I tend to think helps most movies). Nothing else really matters in this movie except the Supervan. That's the real star here. I'm fascinated with the whole Van culture of the 70's. I've never been into cars at all and (normal) vans always seemed kind of lame. With movies like this, and of course The Van, not to mention a random plethora of 70's drive-in classics that feature tricked out vans I'm starting to see the appeal. At the end of the movie we're treated to a showcase of all the cool airbushed and muraled artwork on the vans from the contest, but you can be sure nothing can top the chic sci-fi wonder-mobile that is Supervan.
Supervan with it's real life inventor George Barris
I know what you're thinking "but Scumbalina, why haven't you been watching any Gary Busey movies?". Never you worry my dears, I saved the best for last. The 1988 action packed classssssssssic Bulletproof.
He may be Bulletproof, but he's not love proof. Busey plays Frank McBain, a tough cop who earned his nickname from having taken 50-something shots in his career. He even keeps the bullets as souvenirs. He's given a top secret assignment to rescue a Supertank (litterally, the tank version of Supervan, this cinematic synchronicity is nothing short of kismet). It's SUPER spectacular, indestructible, impenetrable and infinitely unfuckwithable. An added bonus is that his militant GI Jane ex-girlfriend has been abducted by the terrorist bad dudes as well. Henry Silva leads this incendiary mission of world domination via Supertank high jackery. He plays a stereotypical bad-guy Muslim who unrelentingly rapes insubordinant women in the name of Allah. We get to see Gary Busey coming out ahead in all kinds of situations despite his general ineptitude. In all of his radiant awkwardness we get to see him crotch dive onto Danny Trejo from a rafter and also spinning down a hill on what appears to be an oversized cable roller. If you're not convinced that this is one of the 80's best accomplishments then you just need to get your priorities straight, Butthorn.
On that note, I'm spent. That was a mouth, er...handful, eh, butthorn-ful. I'm going to go dream of Supervan and Busey-isms. Stay cool.